Showing posts with label 127 Hours. Show all posts
Showing posts with label 127 Hours. Show all posts

Tuesday, January 25, 2011

Tis the Season: The Academy Award Nominations

(Scroll over any film title for the full Black Sheep review.)

I know it's late but I just got in not too long ago from that meeting. I have now seen the nominations for the 83rd edition of the Academy Awards, which I recorded so I could pretend like I saw them live. This actually worked. I was tense as Mo'Nique called out the nominations and thrilled to hear that many of my secret hopefuls made the final cut. Shall we break it down then?

THE KING'S SPEECH leads the Oscar tally with 12 nominations, including nods for Best Picture and Best Direction of course, as well as one for each of the principal cast members. TRUE GRIT follows closely in second place with 10 nominations, thanks to an unexpected direction nod for Joel Coen and Ethan Coen. THE SOCIAL NETWORK and INCEPTION, then come in third place with 8 nominations between them. I was expecting a stronger showing for these two films and slightly less for the Coen Brothers picture to be honest, but in general, I am very happy with the direction the Academy went in this year with their nominees. There were a number of surprises and snubs, which is inevitable, but for the most part, I think Oscar got it right. Shall we break it down even further then?

Most of the Best Picture nominees were considered locks this year. Really, it seemed as though three films were fighting for the ninth and tenth slot when it came down to it. Those three films would be 127 HOURS, WINTER'S BONE and THE TOWN. Ultimately, it was THE TOWN, Ben Affleck's critically acclaimed dramatic thriller, that missed out. It actually only garnered one nomination, in the Supporting Actor category for Jeremy Renner, when it was considered a strong contender in the Best Picture race, as well as the Adapted Screenplay category. Both 127 HOURS and WINTER'S BONE fared much better than expected and will certainly benefit from these nominations. 127 HOURS, which scored nods for its screenplay as well as the lead performance by Oscar host, James Franco, rolls into 600 theatres this weekend and could use the boost at the box office. WINTER'S BONE meanwhile, is already available to rent or own. This fantastic indie picked up well deserved nominations for it's star, Jennifer Lawrence, and supporting actor, John Hawkes, as well as a nod for its screenplay.

The lead acting categories played out exactly as I wanted them to. The most triumphant success amongst them may be Javier Bardem's seemingly miraculous nomination for his incredible performance in BIUTIFUL, a Mexican film that has not been seen by many at this point. The Alejandro Gonzales Inarritu directed picture, also nabbed a Best Foreign Language spot. Michelle Williams scored her second career nod for her performance in BLUE VALENTINE. This was also not a lock so I am thrilled to see her get this well deserved accolade, as it will also drive more people to see this bleak film. Her co-star, Ryan Gosling, did not make the cut finally.

The supporting acting categories provided some of this morning's biggest surprises. The biggest of those would certainly have to be Jacki Weaver, nominated for her performance in the little seen, ANIMAL KINGDOM. She was always a contender but there was a great deal of confusion in this category this year. Ultimately, Hailee Steinfeld, scored her nomination for TRUE GRIT in the supporting category, when there was much debate over whether she would end up in the lead actress race. Lesley Manville, in ANOTHER YEAR, had a similar confusion and ended up not being recognized in either category, not that she was a shoe-in for either really. A notable absence here would have to be Mila Kunis, in BLACK SWAN. I never saw her performance as award worthy but it was certainly being talked up quite a bit in recent weeks and I thought she would end up on the list. On the men's side, it was the aforementioned nod for Hawkes in WINTER'S BONE that blocked out another young hopeful, Andrew Garfield, in THE SOCIAL NETWORK.

Perhaps the biggest snub amidst this morning's nominations is Christopher Nolan being locked out of the Best Director race once again. He did earn his second nomination for writing INCEPTION today but he was considered a sure thing is the directing category. He has been nominated three times by the Director's Guild of America, including this year, but is consistently shut out here. Instead, the fifth slot went to the Coen Brothers, as mentioned before. Aside from THE SOCIAL NETWORK director, David Fincherm and the Coens, the remaining three nominees are all here for the first time. They are Darren Aronofsky for BLACK SWAN, Tom Hooper for THE KING'S SPEECH and David O. Russell for THE FIGHTER.

The rest of my shocks and disappointments are as follows. While I am thrilled to see Mike Leigh score a nomination for the beautiful original screenplay, ANOTHER YEAR, I am surprised not to see BLACK SWAN there. In fact, I am a little surprised that BLACK SWAN only managed 5 nominations in total the way that film's momentum has been building. I didn't truly expect Daft Punk to score a Best Original Score nomination for TRON: LEGACY but it would have been a hoot if they did. I was very happy to see the progressive Trent Reznor and Atticus Ross score for THE SOCIAL NETWORK make the list though. Oh, and I know BURLESQUE was bad but you could have found at least one song from that the film to round up the Original Song nominees to five. There was another glaring INCEPTION snub in the editing category. I thought for sure that was a lock. I'm very pleased to see great films like Banksy documentary, EXIT THROUGH THE GIFT SHOP and Pixar animated short, DAY & NIGHT, earn their spots in their respective categories. Speaking of Pixar, TOY STORY 3, picked up five nominations of its own, including Best Picture and Original Screenplay. And finally, represent Canada! Denis Villeneuve's INCENDIES scored Canada a nomination in the Best Foreign Language race.

I've done the math and I was 87% accurate in my predictions. I got all the lead acting nods right (even Bardem!) and suffered one wrong answer in each of the other categories I made predictions for. Look for reviews of many of the nominated films to come in the weeks ahead on Black Sheep Reviews and I invite you to share your opinions on the Oscar nominations below.

The 83rd annual Academy Awards will be presented on February 27, and hosted by James Franco and Anne Hathaway. This is the full list of nominations:

BEST PICTURE


BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE

Javier Bardem in BIUTIFUL
Jeff Bridges in TRUE GRIT
Jesse Eisenberg in THE SOCIAL NETWORK
Colin Firth in THE KING'S SPEECH
James Franco in 127 HOURS

BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE

Annette Bening in THE KIDS ARE ALL RIGHT
Nicole Kidman in RABBIT HOLE
Jennifer Lawrence in WINTER'S BONE
Natalie Portman in BLACK SWAN
Michelle Williams in BLUE VALENTINE

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE

Christian Bale in THE FIGHTER
John Hawkes in WINTER'S BONE
Jeremy Renner in THE TOWN
Mark Ruffalo in THE KIDS ARE ALL RIGHT
Geoffrey Rush in THE KING'S SPEECH

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE

Amy Adams in THE FIGHTER
Helena Bonham Carter in THE KING'S SPEECH
Melissa Leo in THE FIGHTER
Hailee Steinfeld in TRUE GRIT
Jacki Weaver in ANIMAL KINGDOM

BEST ACHIEVEMENT IN DIRECTING

Darren Aronofsky for BLACK SWAN
Ethan Coen, Joel Coen for TRUE GRIT
David Fincher for THE SOCIAL NETWORK
Tom Hooper for THE KING'S SPEECH
David O. Russell for THE FIGHTER

BEST ORIGINAL SCREENPLAY


BEST ADAPTED SCREENPLAY


BEST ANIMATED FEATURE

HOW TO TRAIN YOUR DRAGON
THE ILLUSIONIST

BEST FOREIGN LANGUAGE FILM

BIUTIFUL
DOGTOOTH
IN A BETTER WORLD
INCENDIES
OUTSIDE THE LAW

CINEMATOGRAPHY


EDITING


ART DIRECTION

ALICE IN WONDERLAND

COSTUME DESIGN

ALICE IN WONDERLAND
I AM LOVE
THE TEMPEST

MAKEUP

THE WAY BACK

ORIGINAL SCORE

HOW TO TRAIN YOUR DRAGON

ORIGINAL SONG

"If I Rise" from 127 HOURS
"Coming Home" from COUNTRY STRONG
"I See the Light" from TANGLED
"We Belong Together" from TOY STORY 3

SOUND MIXING


SOUND EDITING

UNSTOPPABLE

VISUAL EFFECTS

ALICE IN WONDERLAND

DOCUMENTARY FEATURE

EXIT THROUGH THE GIFT SHOP
GASLAND
INSIDE JOB
RETREPO
WASTE LAND

DOCUMENTARY SHORT SUBJECT

KILLING IN THE NAME
POSTER GIRL
STRANGERS NO MORE
SUN COME UP
THE WARRIORS OF QUIGANG

ANIMATED SHORT FILM

DAY & NIGHT
THE GRUFFALO
LET'S POLLUTE
THE LOST THING
MADAGASCAR, A JOURNEY DIARY

LIVE ACTION SHORT FILM

THE CONFESSION
THE CRUSH
GOD WE LOVE
NA WEWE
WISH 143

For more information on the Academy Awards, please visit their website at Oscars.org.
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Wednesday, December 8, 2010

Tis the Season: The Film Independent Spirit Awards

(Scroll over film titles for the full Black Sheep review.)

Last week, I was in Montreal on non-movie related business. It was consuming to say the least. Not only did I miss the announcement that James Franco and Anne Hathaway will be hosting the Oscars, but I also missed the nominations for the Film Independent Spirit Awards. This ceremony is always held the evening before the Oscars and honours the best in American independent cinema, including shout-out's to foreign entries and documentaries as well.

The 2010 nominees are a fantastic bunch with a couple of notable exceptions that could cripple Oscar odds right from the start. Leading the pack with seven nominations, is WINTER'S BONE, the "chilling" tale of survival in the Ozarks, with nods for Best Feature, Director (Debra Granik) , Lead Actress (Jennifer Lawrence), Screenplay (Granik and Anne Rosellini), Supporting Actress (Dale Dickey) and Supporting Actor (John Hawkes). The film is considered an underdog at the Oscars and this will certainly assist its Best Picture odds, as well as its actors' chances. Coming in next with 5 nods is the summer indie favorite, THE KIDS ARE ALL RIGHT, from director, Lisa Cholodenko. Cholodenko earns nods for writing and directing, while the film nabs a Best Feature nod and stars Annette Bening and Mark Ruffalo earn acting kudos in their respective categories. The film has a good shot at the Oscar Top 10 and Cholodenko might nab a screenplay nod as well, but no nomination for Julianne Moore in such a competitive year here, where she should have easily been rewarded, is a very bad start for her.

The Best Feature category is rounded out by 127 HOURS, BLACK SWAN and GREENBERG. Of the five nominees, GREENBERG is the only entry I don't believe in. I doubt the love shown here will translate elsewhere either. RABBIT HOLE would have been a much stronger choice. Still, the John Cameron Mitchell film was honoured with screenplay and direction nods, as well as one for lead actress, Nicole Kidman and lead actor, Aaron Eckhardt. Meanwhile, Oscar front runner, THE KING'S SPEECH earns a slot in the Foreign Film category, the only one it could have hoped for. This will certainly be the first amongst many accolades for the Tom Hooper hopeful. I was also disappointed not to see more love for the Nicole Holofcener gem PLEASE GIVE, which took just one nod for screenplay.

The Independent Spirit Awards will be held on February 26, 2011 and hosted by Joel McHale, the star of television's "Community". Here are the major category nominees:

BEST FEATURE


BEST DIRECTOR

Darren Aronofsky, BLACK SWAN
Danny Boyle, 127 HOURS
Lisa Cholodenko, THE KIDS ARE ALL RIGHT
Debra Granik, WINTER'S BONE
John Cameron Mitchell, RABBIT HOLE

BEST SCREENPLAY

Lisa Cholodenko, Stuart Bloomberg, THE KIDS ARE ALL RIGHT
Debra Granik, Anne Rosellini, WINTER'S BONE
Nicole Holofcener, PLEASE GIVE
David Lindsay-Abair, RABBIT HOLE
Todd Solondz, LIFE DURING WARTIME

BEST FEMALE LEAD

Annete Bening, THE KIDS ARE ALL RIGHT
Greta Gerwig, GREENBERG
Nicole Kidman, RABBIT HOLE
Jennifer Lawrence, WINTER'S BONE
Natalie Portman, BLACK SWAN

BEST MALE LEAD

Ronald Bronstein, DADDY LONG LEGS
Aaron Eckhardt, RABBIT HOLE
James Franco, 127 HOURS
John C. Reilly, CYRUS
Ben Stiller, GREENBERG

For a full list of nominees and more information on the Film Independent Spirit Awards, visit their website, Spiritawards.com
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Sunday, November 28, 2010

Black Sheep @ The Box Office


Turkey time has come and gone and apparently it was not so difficult for a good chunk of you to roll yourselves off of your couches and make your way to one of the many movies released this past week. Granted, the majority of the money was split almost evenly between two family films but 'tis the season, right?

HARRY POTTER AND THE DEATHLY HALLOWS (PART ONE) (click title for review) narrowly held on to its crown this weekend, after pulling in stellar numbers all week. The total cume now stands at $220 million in North America, putting it well on track to easily become the most successful film of the franchise. Coming in second place, which could turn into first place for the weekend if the estimates don't hold after the official numbers are released tomorrow, is Disney's 50th animated feature, TANGLED, an update on the "Rapunzel" story. With $69 million in five days, it far surpassed my expectations and, from what I hear, the film ain't half bad either.

On the other hand, three other wide releases played to very tepid audiences this weekend. The most successful of the trio was the Christina Aguilera / Cher musical romp, BURLESQUE (click title for review). Like everything else Aguilera released this year, her film debut was not well embraced, pulling in less than $4K per screen. Performing only slightly better per screen was the romantic drama, LOVE AND OTHER DRUGS (click title for review), with Jake Gyllenhaal and Anne Hathaway. The film, which features Gyllenhaal as a Viagra salesman, probably would have benefitted from popping a couple of little blue pills itself if it wanted to make an, uh, bigger impression. And, after spending years playing to the family crowd, The Rock returns to action in FASTER with a very slow start, with the lowest average of any of the four wide releases.

Just below the Top 10 again this week is the Danny Boyle directed true story, 127 HOURS (click title for review), starring James Franco. Adding another 185 screens saw the film's returns improve another 88%, the Top 10 now closer than ever. The big art house success this week though is the Oscar front runner, THE KING'S SPEECH (click title for review), from director, Tom Hooper. This Colin Firth period piece played to a fantastic per screen average of $87.5K on just four screens in all of North America, certainly leaving distributor, Alliance, a little speechless.

NEXT WEEK: As awards season approaches, there is more excitement on the limited release front than the wide front, with only one semi-wide release next week, THE WARRIOR'S WAY (???) on 1500 screens. More importantly though, the oft delayed Jim Carrey / Ewan McGregor gay prison comedy, I LOVE YOU, PHILIP MORRIS, finally sees life on the outside, on 6 screens. And Darren Aronofky's highly anticipated ballet thriller with Natalie Portman, BLACK SWAN (click title for review), hits 19 screens.

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Sunday, November 21, 2010

Black Sheep @ The Box Office

Harry Potter and friends prove they've still got a little magic we haven't seen up their sleeves as HARRY POTTER AND THE DEATHLY HALLOWS conjures up the best opening weekend in the franchise's history! The $77.8 million opening weekend the previous installment, HARRY POTTER AND THE HALF-BLOOD PRINCE, pulled in is certainly nothing to scoff at, but it is also the second lowest opening weekend tally of all seven Potter films. It seemed like Potter mania had topped out but fans and more prove that everyone wants to see how this saga will end.

HARRY POTTER AND THE DEATHLY HALLOWS started strong with $24 million in midnight showings Thursday night. This is the most for the series and the third highest midnight gross in history behind the last two TWILIGHT chapters. And the history making doesn't stop there. Friday's combined total of $61 million was the fifth biggest opening day in history. It was also the second biggest November opening behind TWILIGHT: NEW MOON ($142 million). In fact, Harry Potter titles make up the rest of the Top 5 in that category. Overall, the latest Harry Potter ranks as the 6th best opening weekend in history, right behind the $128 million IRON MAN 2 opening weekend. THE DARK KNIGHT still holds that record with $158 million. The first film, HARRY POTTER AND THE SORCERER'S STONE, remains the highest grossing Harry Potter pic with a domestic total of over $317 million. With this incredible start and Thanksgiving next weekend, HARRY POTTER AND THE DEATHLY HALLOWS could easily shatter that. Black Sheep reviewed Harry's latest adventure this week. Click here for the review.

And while one boy grows stronger, another man gets weaker - at least at the box office anyway. Russell Crowe's latest thriller, THE NEXT THREE DAYS, officially generated no interest in filmgoers. I guess even grandparents caught the Hogwarts crew. This Paul Haggis film is his second strike as a director after the dismal returns for his last film, IN THE VALLEY OF ELAH. Black Sheep interviewed the Canadian director this week. Click here for the interview.

The Doug Liman film, FAIR GAME, finally snuck into the Top 10 on 386 screens. It shouldn't make it much higher mind you. Poised to capture a spot very shortly though is the Danny Boyle platform success, 127 HOURS (click title for review). This week's gross improved another 108% after adding another 86 screens. And it was a modest debut for British export, MADE IN DAGENHAM. The Nigel Cole film pulled in an average of $13K per screen on just 3 screens. Look for Black Sheep's interview with the director later this week. The fantastic film expands next Friday.

NEXT WEEK: It's turkey time which means way too much to eat at the theatre. Four films open on Wednesday in wide release and each is as fattening as the next. In descending order of screens, they are Disney's TANGLED (3500), Cher's BURLESQUE (2800), Jakey-pooh's LOVE AND OTHER DRUGS (2300) and The Rock's return to action, FASTER (2300). Best Picture front runner, THE KING'S SPEECH, starring Colin Firth, opens on 4 screens on Friday. Read the Black Sheep review for it now though. Just click here.

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Sunday, November 14, 2010

Black Sheep @ The Box Office

For the second week in a row, the Will Ferrell led animated film, MEGAMIND, leads the box office. And for the second year in a row, Denzel Washington makes a train movie that misses out on coming in on the first track.

UNSTOPPABLE is apparently a bit of an exaggeration. The Tony Scott film pulled in a solid $23.5 million, pretty much on par with the first weekend take of last summer's THE TAKING OF PELHAM 123, also directed by Scott. Washington however saw a much stronger debut with Janurary's THE BOOK OF ELI, which opened with about $10 million more in a month known for low grosses. UNSTOPPABLE opened at number one on Friday but with the built-in family audience waiting for the actual weekend, MEGAMIND was easily able to pull ahead to take the crown.

The week's two other wide releases both opened to disappointing results. The Rachel McAdams vehicle, MORNING GLORY, was clearly hoping to capture some of the same love that was bestowed on similar demo skewed picture, IT'S COMPLICATED. A $12 million five-day start is about $14 million shy there. Still, a tepid reaction to a romantic comedy is not as tragic as a heavily uninterested reaction to a sci-fi thriller with high hopes. SKYLINE was unable to tap into the geek market that makes so many a film successful these days with it's $11.7 million start. Fortunately, its reported budget is just about $10 million so everything from here is space gravy, assuming such a thing exists.

Two well received platform releases continued strong expansions. Naomi Watts and Sean Penn reteam to see FAIR GAME increase over 65%, hitting $1.1 million on 175 screens. Danny Boyle could be poised to see another hit, as 127 HOURS added 18 screens for a grand total of 22 and saw a 77% increase and a $20K+ per screen average. I don't see the film finding as much Oscar love as his Best Picture winner, SLUMDOG MILLIONAIRE, but James Franco's personal buzz and the intrigue created by more people requiring medical attention at intense screenings should guarantee continued interest for some time to come.

NEXT WEEK: Russell Crowe hopes recent attention in adult fare will spoil over to his latest excursion, THE NEXT THREE DAYS on 2500+ screens. Look for the Black Sheep interview with director, Paul Haggis, to follow next weekend as well. Crowe might get lucky considering all the kids will be elsewhere, with HARRY POTTER AND THE DEATHLY HALLOWS (PART ONE) opening on over 4000+ screens.

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Wednesday, November 10, 2010

127 HOURS

Written by Danny Boyle and Simon Beaufoy
Directed by Danny Boyle
Starring James Franco

Aron Ralston: This rock has been waiting for me my whole life.

I thought that winning an Oscar might mellow SLUMDOG MILLIONAIRE director, Danny Boyle, but it only seems to have fueled his fire. Before anything has a chance to happen in his latest, 127 HOURS, the screen is split into three and images of people going to work or running marathons are inundating the screen at rapid speeds. I understand that he has his own style but I want to see Boyle just let the action unfold for a change, instead of just chopping it up and rearranging it visually to simply make it look cooler. At times in Boyle’s career, it has felt like the images needed the overt style to become relevant or meaningful but this time is different. Boyle has finally found a story that begs for his personal yet simultaneously impersonal touch.


127 HOURS is the story of an adrenaline junkie, a nature nut, a loner. Forcing an image to wake the heck up and jump off the screen itself is akin to what protagonist Aron Ralston (James Franco) does whenever he can. And when he can’t make that happen, he would almost rather be alone. He seeks out thrills to elevate himself above the mundane just like Boyle tries to enhance his image. When Ralston gets away from the city though and into the peaks and valleys of Blue John Canyon, Boyle slows his pace and allows the sheer grandness and beauty of the landscape to speak for itself. And speak it does. It asserts itself and its immovable brilliance by reminding man just who’s in charge here after all when it almost swallows young Ralston whole.


Ralston is a real person and in 2003, he spent a sum total of, you guessed it, 127 hours literally stuck between a rock and hard place when a rock fell with him into a cavernous gap and crushed his arm against the wall. Franco’s journey as Ralston is rarely easy to bear and sometimes just as difficult for us to take as well. His spirit goes from exuberant to painfully sober to near delirium and he carries it off with a strength I’m not the least bit surprised to see. Boyle was sure to lighten the tension with flashbacks that inform us of exactly everything Ralston still has to live for, which in turn teaches him a thing or two about how to actually live for it. The point may be somewhat plain but the experience that is 127 HOURS is a testament to an amazing feat of human endurance and perseverance, as well as an adventure that won’t soon be forgotten.


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Thursday, September 16, 2010

TIFF Review: 127 HOURS

Written by Danny Boyle and Simon Beaufoy
Directed by Danny Boyle
Starring James Franco

Aron Ralston: This rock has been waiting for me my whole life.

I thought that winning an Oscar might mellow SLUMDOG MILLIONAIRE director, Danny Boyle, but it only seems to have fueled his fire. Before anything has a chance to happen in his latest, 127 HOURS, the screen is split into three and images of people going to work or running marathons are inundating the screen at rapid speeds. I understand that he has his own style but I want to see Boyle just let the action unfold for a change, instead of just chopping it up and rearranging it visually to simply make it look cooler. At times in Boyle’s career, it has felt like the images needed the overt style to become relevant or meaningful but this time is different. Boyle has finally found a story that begs for his personal yet simultaneously impersonal touch.


127 HOURS is the story of an adrenaline junkie, a nature nut, a loner. Forcing an image to wake the heck up and jump off the screen itself is akin to what protagonist Aron Ralston (James Franco) does whenever he can. And when he can’t make that happen, he would almost rather be alone. He seeks out thrills to elevate himself above the mundane just like Boyle tries to enhance his image. When Ralston gets away from the city though and into the peaks and valleys of Blue John Canyon, Boyle slows his pace and allows the sheer grandness and beauty of the landscape to speak for itself. And speak it does. It asserts itself and its immovable brilliance by reminding man just who’s in charge here after all when it almost swallows young Ralston whole.


Ralston is a real person and in 2003, he spent a sum total of, you guessed it, 127 hours literally stuck between a rock and hard place when a rock fell with him into a cavernous gap and crushed his arm against the wall. Franco’s journey as Ralston is rarely easy to bear and sometimes just as difficult for us to take as well. His spirit goes from exuberant to painfully sober to near delirium and he carries it off with a strength I’m not the least bit surprised to see. Boyle was sure to lighten the tension with flashbacks that inform us of exactly everything Ralston still has to live for, which in turn teaches him a thing or two about how to actually live for it. The point may be somewhat plain but the experience that is 127 HOURS is a testament to an amazing feat of human endurance and perseverance, as well as an adventure that won’t soon be forgotten.


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Wednesday, September 15, 2010

TIFF'D: Wednesday, September 15



Day 7 is a strange day at TIFF for me.  It feels to some extent like the festival ended yesterday.  I have no more interviews.  There are only press screenings scheduled still for the next couple of days.  Past that, I will try to catch some public screenings if they’re not off sale.  The first half was insanity.  I ran around everywhere and had plenty to report on but with things dying down now, I don’t have nearly as much to do nor do I have as much to report on.  And to top it off, I have a full on head cold.

I figure I will just let you know what to expect from Black Sheep Reviews for the remainder of the festival.  Tomorrow will feature a re view of Danny Boyle’s 127 HOURS, the follow up to the Oscar winning phenomenon, SLUMDOG MILLIONAIRE.  That’s about it though.  I am seeing three movies tomorrow and as I really should be in bed instead of in a theatre, I will be taking it as easy as possible.


Friday will feature a special weekend edition of TIFF Bits.  The last weekend of the festival tends to bring back many festival favourites and I will do my best to steer you toward the best films playing in the last weekend of this incredible festival.  Getting tickets is your problem though. 

Friday will also feature a review of NEVER LET ME GO, which I will be seeing in just a half hour.  Saturday will feature the last TIFF review and it is for one of my favourites from the festival, Joaquin Phoenix documentary, I’M STILL HERE.


On the last day of TIFF, I will give you my recap of the entire experience and run down for you my Top 5 TIFF films as well as my choice for the worst film I caught at TIFF.  I still have about ten or s films before those choices are made and plan on doing my best for you in my now somewhat limited physical capacity.

Thanks again for all your support.
Happy TIFF!

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Monday, September 13, 2010

TIFF BITS: Monday, September 13


I decided that I had to cut back on my day today.  I am feeling much better this morning than yesterday but that does not mean I need to keep making life harder for myself.  I have decided to scale back from three movies to two.  I figured maybe I would get some writing in, maybe do some laundry.  It is TIFF Day 5 and I am running out of clean socks!

Tonight's big galas and special presentations are pretty impressive.  Get a ticket to BLACK SWAN if you can.  It is the best thing I've seen at the festival thus far. Natalie Portman, Vincent Cassel, Mila
Kunis and director, Darren Aronofsky, are expected to attend.  I've not seen the other three but they are definitely hot tickets.  You've got RABBIT HOLE, directed by John Cameron Mitchell and starring Nicole Kidman.  French director, Francoi Ozon's POTICHE, starring Catherine Deneuve is at Roy Thompson Hall tonight.  And then that leaves Mike Leigh's ANOTHER YEAR at the Elgin.

I will be leaving shortly to see Xavier Dolan's HEARTBEATS and then I have an interview with Julian Schnabel.  I am finishing my screening day with Tom Tykwer's THREE so it should be an interesting day all around.  What about your day, you say ...


EVERYTHING MUST GO
Winter Garden Theatre - 4:30
Whenever a comedian plays something serious, it is always a big deal.  Will Ferrell chose this film because he just really liked the script, not because he was trying to do something intentionally dramatic for street cred, or so he said when I met with him the other day.  Here he plays a guy who loses his job because he is an alcoholic only to come home to find all his junk strewn across his lawn. His wife has left and the doors have been locked.  It is a great tale of redemption and Ferrell's performance is solid.

MIRAL
Ryerson Theatre - 6:00
Julian Schnabel is a hybrid of a conceptual artist and a film director.  Every frame always looks like a painting and here he decides to take a creative look at the Israel/Palestine conflict.  It is a decidedly political film but it also has a reassuring sensitivity to it, likely due to the nature of the story.  It follows a few strong Palestinian women who have been affected by the conflict in ways that they never imagined.  It does at times feel more about the cause than the characters but it is still an engaging and delicate experience.

LET ME IN
Ryerson Theatre - 9:00
Matt Reeves, the director of CLOVERFIELD, could not possible come away from directing this film as a winner.  Adapted from the Swedish film, LET THE RIGHT ONE IN, this American remake is so loyal to the original, it is eerie but that won't matter.  Fans of the first film are loyal so it doesn't matter whether Reeves is successful or not, it shouldn't have been done.  I enjoyed his take but that being said, his take is the same as the first one, only now In English so North American audiences don't have to read the movie.  He did a good job but will that matter?


ALSO PLAYING AND RECOMMENDED

127 HOURS
Danny Boyle
Ryerson Theatre - 3:00

COOL IT
Ondi Timoner
AMC - 2:15

Also, don't miss my brand new TIFF review for BURIED, starring Ryan Reynolds.  I cannot wait to be sitting across a table from him.  I will try to stay seated calmly but I cannot guarantee this.

Happy TIFF!
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Sunday, September 12, 2010

TIFF BITS: Sunday, September 12


It's Sunday morning, Day 4 of TIFF.  I'm a little sleepy and I need a hug but that's OK.  I have coffee for the former and may just hug a total stranger by the end of the day, who knows.  It could be considered fitting given that this evening is the North American premiere of Woody Allen's YOU WILL MEET A TALL DARK STRANGER.  I will be requesting a spot on the red carpet for that one so keep your fingers crossed for me.  This year, you have to stick around for both premieres if you get a red carpet spot.  If I do get it, that means I have to stay for the world premiere of Clint Eastwood's HEREAFTER, starring Matt Damon.  Life could be worse, I guess.

Today is also the opening day for TIFF's Bell Lightbox theatre.  I will be definitely heading over there at the end of my screening day to check that out.  TIFF has a whole big block party planned so if you're in the fine city of Toronto, you should head on down to King Street and John Street.  There are free movies playing all day and special musical guests throughout as well.  I haven't looked outside my window yet but if it is nice out there, head on out!

And if you're looking for movies to pay for today, why don't you check these one's out ...


127 HOURS
Visa Screening Room - 6:00
I accidentally caught this film yesterday when one of my other screenings was pushed back.  I had heard that Danny Boyle's follow-up to his Oscar winning phenomenon, SLUMDOG MILLIONAIRE, was really intense - paramedics had to be called to a screening at the Telluride festival just last week. 127 HOURS tells the story of Aaron Ralsten, a moutain climber who gets caught between a rock and hard place for oh about 127 hours or so.  Jmes Franco stars and, much like Ryan Reynolds in BURIED (coming up later in the week), he has to command out attention in a cramped spot the whole time.  I like this one better than that Slumdog movie but be warned, there are some harder moments in the film.

COOL IT
AMC - 6:45
This Maple Pictures documentary snuck into the festival a little later than most of the films but instead of going unnoticed, it has caused quite a stir.  Director Ondi Timoner presents his subject, Bjorn Lomberg, an infamous figure in the debate over climate change.  I can most certainly understand the controversy; it is a very challenging film to watch.  Lomberg asserts a rather contrary view on how the world should be confronting our environmental woes but Timoner provides him the goods to make his approach seem credible.  The trouble is it goes against everything we've been programmed to think all this time.  I am interviewing director and subject today and I'm very curious to hear what they have to say.

ALSO PLAYING AND RECOMMENDED

THE TOWN
(click for review)
Visa Screening Room - 11:00 AM

MADE IN DAGENHAM
Varsity - 9:30 AM

I am off now for my first screening of the day, Julian Schnabel's MIRAL, featuring Freida Pinto.  I have an interview with the French director/artist tomorrow afternoon!  In the meantime, don't miss Black Sheep's TIFF review for YOU WILL MEET A TALL DARK STRANGER, just below.

Happy TIFF!
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