Black Sheep Reviews presents the 2011 Mouton d'Or Awards

It is with great pleasure that I announce to you today the nominees for the 2011 Mouton d'Or Awards. This year marks the seventh year the awards have been held and this year's bunch of contenders is a strong bunch indeed. In fact, there were so many memorable performances and films this year, that the acting categories have been expanded to six nominations each. There are also two brand new categories this year. One is for Best Ensemble, which is just one more way to honour the incredible casts that collectively came together to impress right across the board in 2011. The other is for Best First Feature because I am always shocked by people who knock it out hard on their first shot behind the camera. To qualify in this category, you need not to have directed a theatrical feature prior to the nominated film. In fact, the only negative factor with this year's nominations comes from the Animated Feature category, where only two films have been nominated because of the lack of decent selections.

Leading this year's Mouton d'Or Awards is THE ARTIST, with a total of seven nominations, including one for Best Picture and Best Director. The little silent film that could is followed closely in the tally by two of the year's more sumptuously cinematic endeavours, DRIVE and THE TREE OF LIFE, both of which have earned six nods a piece, including Best Picture. The remaining two Best Picture slots go to THE DESCENDANTS and SHAME, both of which follow in third place for most nominations, totalling five each. I have seen all five of these films twice now and it will be a pleasure soaking them each in one last time before making my final decision.

It was incredibly difficult to narrow down the Best Picture nominees to only five choices, but as I ask my readers to narrow to just five, I too had to suck it up and deal. As always, I am very pleased with the selections that rose to the top of the Black Sheep Readers Choice nominees. Like last year, the five films represent a great mix of crowd pleasing offerings and the more obscure. My sincere thanks go out to all who participated by sending me their lists. It is always a great joy to see what other people appreciate and to hear why, so again, thank you for sharing with me.

You can now vote for your favourite in the poll at the top of the right sidebar. Voting will open and close weekly until the day before the Mouton d'Or Award winners are announced. This year, that day will be Saturday, February 25, 2012. Vote as many times as you like but just vote!

And so, without any further delay, ladies and gentleman, I present to you, the 2011 Mouton d'Or Award nominations ...

(Scroll over any film title for the full Black Sheep Review.)

BEST BIG MOVIE

THE ADVENTURES OF TINTIN
BRIDESMAIDS
HANNA
THE HELP
THE MUPPETS

BEST little MOVIE

50/50
BEGINNERS
MARTHA MARCY MAY MARLENE
MELANCHOLIA
WE NEED TO TALK ABOUT KEVIN

THE WORST MOVIE I SAW ALL YEAR

FRENCH IMMERSION
GREEN LANTERN
LARRY CROWNE
TRESPASS
YOUR HIGHNESS

THE BLACK SHEEP READERS CHOICE AWARD

THE ARTIST
BRIDESMAIDS
DRIVE
MIDNIGHT IN PARIS
THE TREE OF LIFE

BEST ANIMATED FEATURE

THE ADVENTURES OF TINTIN
RANGO

BEST LOOKING MOVIE

THE ARTIST
HUGO
MELANCHOLIA
TINKER TAILOR SOLDIER SPY
THE TREE OF LIFE

BEST MUSIC

THE ARTIST
DRIVE
HANNA
THE SKIN I LIVE IN
THE TREE OF LIFE

BEST SUPPORTING ACTOR

KENNETH BRANNAGH in MY WEEK WITH MARILYN
ALBERT BROOKS in DRIVE
ARMIE HAMMER in J. EDGAR
BRAD PITT in THE TREE OF LIFE
CHRISTOPHER PLUMMER in BEGINNERS
MAX VON SYDOW in EXTREMELY LOUD AND INCREDIBLY CLOSE

BEST SUPPORTING ACTRESS

JESSICA CHASTAIN in THE TREE OF LIFE
MELISSA MCCARTHY in BRIDESMAIDS
JANET MCCTEER in ALBERT NOBBS
CAREY MULLIGAN in SHAME
OCTAVIA SPENCER in THE HELP
SHAILENE WOODLEY in THE DESCENDANTS


BEST ACTOR

GEORGE CLOONEY in THE DESCENDANTS
JEAN DUJARDIN in THE ARTIST
MICHAEL FASSBENDER in SHAME
GARY OLDMAN in TINKER TAILOR SOLDIER SPY
BRAD PITT in MONEYBALL
MICHAEL SHANNON in TAKE SHELTER

BEST ACTRESS

GLENN CLOSE in ALBERT NOBBS
VIOLA DAVIS in THE HELP
ELIZABETH OLSEN in MARTHA MARCY MAY MARLENE
MERYL STREEP in THE IRON LADY
TILDA SWINTON in WE NEED TO TALK ABOUT KEVIN
MICHELLE WILLIAMS in MY WEEK WITH MARILYN

BEST ENSEMBLE

50/50
BRIDESMAIDS
THE HELP
MIDNIGHT IN PARIS
TINKER TAILOR SOLDIER SPY

BEST ORIGINAL SCREENPLAY

50/50 written by Will Reiser
THE ARTIST written by Michel Hazanavicius
BEGINNERS written by Mike Mills
SHAME written by Abi Morgan and Steve McQueen
TAKE SHELTER written by Jeff Nichols

BEST ADAPTED SCREENPLAY

THE DESCENDANTS written by Alexander Payne, Nat Faxon and Jim Rash
DRIVE written by Hossein Amini
MONEYBALL written by Steve Zaillian and Aaron Sorkin
TINKER TAILOR SOLDIER SPY written by Bridget O'Connor and Peter Straughan
WE NEED TO TALK ABOUT KEVIN written by Lynne Ramsay and Rory Kinnear

BEST FIRST FEATURE

BEAUTIFUL BOY
MARTHA MARCY MAY MARLENE
PARIAH
SUBMARINE
TYRANNOSAUR

BEST DIRECTOR

MICHEL HAZANAVICIUS for THE ARTIST
STEVE MCQUEEN for SHAME
ALEXANDER PAYNE for THE DESCENDANTS
NICOLAS WINDING REFN for DRIVE
LARS VON TRIER for MELANCHOLIA

BEST PICTURE

THE ARTIST
THE DESCENDANTS
DRIVE
SHAME
THE TREE OF LIFE

Thanks so much for taking the time to read through. Now, comes the hard part ... Choosing the winners!

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Black Sheep's Top 10 of 2011!

(Click on any highlighted film title for the original Black Sheep review.
Or any highlighted name for the Black Sheep interview.)

Happy New Year everybody! I always take it easy on New Year's Day and look back at the year that was, in film and in general for my life and career. This year was a fantastic year for film and for my career, as it turns out. The films are coming up a bit later but as for my career, I finally feel this year like a real film critic. I am published regularly in Hour Community in Montreal and in Ottawa Xpress. I have been invited to participate in podcasts and am regularly on the air on CJAD 800 Montreal, the city's leading English language talk radio station. I was once again granted accreditation to cover the Toronto International Film Festival, which not only led to a plethora of amazing interviews, but also allowed me to be within 5 feet of Madonna. We didn't speak. Next time.

I took this. On my phone. She was right there!

My job as a film critic is a freelance one. It does not pay my bills. I have a day job for that. In a bank. The opportunities afforded me in my life are not those of your typical banker, I assure you. One of the greatest perks is getting to sit with and speak to filmmakers I admire a great deal. This year I spoke to people I never imagined I would. I started the year speaking with Oscar nominee, Javier Bardem, about the dark and heartbreaking triumph, BIUTIFUL. I finished the year speaking with Oscar hopeful, Michael Fassbender, about the equally exquisite, SHAME. In between, I also spoke with Morgan Spurlock, Ryan Gosling, Elizabeth Olsen, Gus Van Sant, Matthew McConaughey, Antonio Banderas and the director of this year's Oscar front runner, THE ARTIST, Michel Hazanavicius, amongst many others. I think my favourite interview I did all year was with Mike Mills, about his touching film, BEGINNERS. To speak with him about the very personal story that inspired the film was an honour. He has a beautiful soul and clearly the bravery needed to share it with others so freely.

My interviews have even led to a number of cover features for Hour Community and Ottawa Xpress. Here is a sampling (soon to be found framed on my wall).

You may already be familiar with my Top 10 Films of 2011 list, as it was already published in Hour Community. I still had a few films left to see before the end of the year and thought maybe one of those might change the final results, but alas, no. THE ADVENTURES OF TINTIN sure came close but still, no. My Top 10 is a mixed bag of the big and the small, the tragic and the delightful, but most importantly, all ten of these pictures genuinely touched me in one way or another. They are all remarkable achievements in their own rights and it is my pleasure to share them with you.

In alphabetical order ... Here is Black Sheep's Top 10 of 2011!

THE ARTIST

Directed by Michel Hazanavicius

THE ARTIST defies all current rule by adhering to the rules of another era. In doing so, it recaptures an innocence and sense of magic that is sorely lacking from most of today's movies. Seeing it embraced is so wonderful because I know that the warmth I felt watching it is being spread to many unsuspecting and appreciative filmgoers.

BEGINNERS

Directed by Mike Mills

I know I said my interview with Mike Mills was my favourite of the year but I assure you I was in love with BEGINNERS before I met him. His musings about love and history are so whimsical yet they hold an unexpected weight of understanding at the same time. A second viewing simply had me basking in what a special film it is.

BRIDESMAIDS

Directed by Paul Feig

I never expected BRIDESMAIDS to make this list. I laughed when I saw it in theatres but was also torn about how realistically it portrayed the damage that permeates today's dating scene only to reinforce that love saves all in the end. I saw it again some time later. I don't know what kind of mood I was in the first time but this time, I lightened the F up and laughed my A off. My wig is off to Kristin!

THE DESCENDANTS

Directed by Alexander Payne

Alexander Payne's first film in seven years, THE DESCENDANTS, is the stuff Best Picture Oscars are made of. Or at least they should be, in my humble opinion. Payne, with the great help of his talented ensemble, let by the schleppiest George Clooney I've ever seen, has found the perfect balance between Hollywood accessibility and independent heart. It is his finest film.

DRIVE

Directed by Nicolas Winding Refn

Watching DRIVE was one of the most exhilarating experiences I've had at the movie is my life. The trailer itself gave everything away but I had somehow managed to block all of that out before seeing it. This allowed me to soak in every little morsel of Nicolas Winding Refn's genius style and Ryan Gosling's smouldering intensity. It goes from quiet to completely disquieting in no time and it gets my motor running every time I see it.

MARTHA MARCY MAY MARLENE

Directed by Sean Durkin

Stop balking at the title and see this movie. Sean Durkin, a first time filmmaker has created a truly disturbing experience with MARTHA MARCY MAY MARLENE. The way he sees the story, in fractured pieces and bizarre but beautiful angles, draws our attention directly to the breakout performance of the year. Elizabeth Olsen is just mind-blowing in this. I could not stop looking at her nor did I want to.

MELANCHOLIA

Directed by Lars von Trier

This is another title I never expected to figure into this list. I have a complicated relationship with Lars von Trier. I am sure I'm not the only one either. All the same, MELANCHOLIA, which some might call his most accessible work to date, is absolutely breathtaking from beginning to end. It is masterful filmmaking and von Trier strikes an incredibly delicate balance between the bleak, the realistic and the unexpected humour that lies in between.

SHAME

Directed by Steve McQueen

I was so moved by Steve McQueen's HUNGER that when I heard he had teamed up with Michael Fassbender again for his second feature about sex addiction, I was naturally very excited. SHAME isn't an easy experience but such are some people's stories. Fassbender's Brandon has a story some would scoff at but McQueen makes his addiction completely understandable. The fact that he does so without truly diving into Brandon's past is a compliment to Fassbender's incredible depth.

THE TREE OF LIFE

Directed by Terrence Malick

This year is full of surprises. Never have I seen a more polarizing film experience and when I first saw THE TREE OF LIFE, I fully understood both sides. It wasn't until a second viewing that I let the side of me that loved this film take full control and just let it rush over me. Not only is it the most gorgeous looking and sounding film I've seen all year but it is, in the right light, a beautiful poem of epic proportion. Oh, and it also gave us Jessica Chastain. For that reason alone! 

(I reviewed the film twice. The links above are to my most recent review. Click here to read the original review.)

WE NEED TO TALK ABOUT KEVIN

Directed by Lynne Ramsay

I always have a hard time finding the words to describe WE NEED TO TALK ABOUT KEVIN. I definitely need to see it a second time before I can fully appreciate its beauty and depth. In the meantime though, I know how it made me feel, how it sucked me in and really kept me there throughout the film, wondering what had happened and why. Tilda Swinton does it again. That woman knows from cold.

TIFF Take 2 for me! Always unbelievable.

And that's 10, in case you lost count. Thanks for all your support this past year, with your sharing on Facebook and your tweeting and retweeting, and with just your reading of my work in general. I am truly grateful. Soon it will be your turn to tell me your favourites of the year for the Black Sheep Reviews Readers Choice Mouton d'Or Award so keep an eye out for that. The full Mouton d'Or Award nominations will be announced on January 22. In the meantime, I wish you all great success in 2012!

I leave you with a list of five more excellent films from 2011 that didn't quite make the Top 10. They do deserve honourable mention though.

50/50

Directed by Jonathan Levine

PARIAH

Directed by Dee Rees

TAKE SHELTER

Directed by Jeff Nichols

TINKER TAILOR SOLDIER SPY

Directed by Tomas Alfredson

TYRANNOSAUR

Directed by Paddy Considine

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BRIDESMAIDS

Written by Kristen Wiig and Annie Mumolo

Directed by Paul Feig

Starring Kriten Wiig, Maya Rudolph, Rose Byrne, Melissa McCarthy, Chris O'Dowd and Jon Hamm

Megan: You're your problem and you're also your solution.

For years now, the boys have been yukking it up at the movies for our enjoyment and they have been doing it as crassly as humanly possible. These male bonding pictures have relegated the girls to the background as nagging wives, naïve love interests and/or sexual throwaway characters. Well, not anymore. In BRIDESMAIDS, Kristen Wiig and her gaggle of gal pals kick the buddy genre hard in the nuts to prove that anything the boys can do, they can do better, and more often than not, in more gross a fashion. Girls being girls though, they are sure to bring a little heart to the table too.

Wiig, a co-writer on the project, is Annie, a single girl who is not at the best juncture in her life. Her bakery business fell flat; she has to live with the most irksome roommates imaginable (Matt Lucas and Rebel Wilson); and she has seemingly lost all faith that her prince will one day come, accepting instead to fall into the bed of man with whom she clearly has no future (Jon Hamm). Now, while she can certainly do worst than Hamm as far as friends with benefits go, her declining stock hits a new low when her oldest friend, Lillian (Maya Rudolph, herself an old friend from Saturday Night Live), announces her engagement. Ordinarily this would be a joyous occasion but when you’re aging and single and your oldest partner in crime is leaving you to fend for yourself in the desolate desert that is dating, news like that takes on much grander implications.

Annie proceeds to buckle and break down amidst the pressure of putting together the perfect bridal parties and the prospect of losing her best friend to the other side. Fortunately, Wiig negotiates a meltdown like no other and she does so in BRIDSEMAIDS with great care, allowing viewers to truly see how complex a person can get the longer they are subjected to the games single people play. Of course, she is also backed up by a hilarious ensemble, most notably Rose Byrne as a classic “frenemy” and Melissa McCarthy as a big girl who isn’t afraid to cry (or take a dump in a sink for that matter). And while I was mildly disappointed to see the film affirm that true happiness cannot be achieved on one’s own, I was too busy laughing hysterically to care.

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