Showing posts with label Invictus. Show all posts
Showing posts with label Invictus. Show all posts

Saturday, February 13, 2010

Shearing the Oscars: Best Actor

This weekend, Black Sheep will be taking a closer look at one of the most exciting categories and one of the most infuriating at this year's Academy Awards. As I figure it best to start my weekend on a positive note, I am going to go with exciting to start. The ladies will wait until tomorrow, where apparently I will begin my day with a coffee and a scowl as I muse on their category. Meanwhile, if we could get to the gentlemen, and they all appear to be folks I could say that about, I describe the Best Actor category as exciting because I genuinely feel that they all deserve to be there. Though Bridges definitely has the edge, it is not a lost cause for the other competitors. And the nominees are ...

JEFF BRIDGES as Bad Black in CRAZY HEART


I did not get the chance to review Scott Cooper's CRAZY HEART when it came out but if I had I would have called it pretty good but not amazing. I also would have said that Bridge's incredible performance is the only real reason to see this film. To watch him disheveled and barely able to stand up is to understand how heavy life can get for an alcoholic who has no respect for his own self. His expression is restrained and real but his resonance is staggering. Bridges has been nominated for four Oscars already, the first for 1971's THE LAST PICTURE SHOW and the last for 2000's THE CONTENDER, but he has yet to win. After snagging the Golden Globe and the Screen Actors Guild Award for this role, Bridges does seem somewhat destined.

GEORGE CLOONEY as Ryan Bingham in UP IN THE AIR


Clooney had the momentum going in. He picked up early kudos from the National Board of Review and the New York Film Critics Circle for his smooth work as Ryan Bingham, in Jason Reitman's UP IN THE AIR. The role almost seems tailor made for Clooney, as art imitates what we think we know about his life. Bingham is unattached and approaching 50. He has no interest in settling in one place in particular or holding any one person's hand for too long. Clooney brings so much more than himself to the role though. He brings class and sophistication and such sympathy that he sets the tone for the film to follow. He has lost his edge though and has already won for a supporting role in SYRIANA. He could turn it around but I fear his plane might be grounded.

COLIN FIRTH as George in A SINGLE MAN


I have never really been a big Colin Firth fan. When I caught the North American premiere of Tom Ford's A SINGLE MAN at TIFF this fall though, I was floored by the depth of his range and how much sadness he could carry in his soul. Firth was on hand for the premiere and he could not appear to be more proud of his work and the film itself. The Academy didn't shower A SINGLE MAN with any other love than this nod though so Firth has his work cut out for him. He won awards for his work at the Venice Film Festival as well as from some West Coast critic's associations but so far, he has come up short for anything really big. This is his first nomination and without a major campaign, I can't see this being his first win as well.

MORGAN FREEMAN as Nelson Mandela in INVICTUS


I'm happy to say that with Freeman's and Matt Damon's Supporting Actor nods being the only one's awarded to Clint Eastwood's INVICTUS, it would appear that the Academy's unconditional love for all of Eastwood's work is finally falling off. The best thing about INVICTUS is the acting and Freeman certainly deserves to be nominated for his uncanny interpretation of the former President of South Africa. My criticism, and also why I don't feel this fifth nomination will turn into a second win for Freeman, is that his performance often borders more on imitation.

JEREMY RENNER as Staff Sgt. William James in THE HURT LOCKER


Renner's nod is the only one that doesn't match my Top 5 for the year. I enjoyed him. I felt that he brought different layers to a role that could have been very one-dimensional. I just happened to enjoy another performance more (Michael Stuhlbarg in A SERIOUS MAN). Renner is a fairly fresh face and this is his first nomination. My guess is that he got swept up in the enormous support for Kathryn Bigelow's THE HURT LOCKER and that just being honoured among these other veteran actors is his award.

WHO WILL WIN? Jeff Bridges

WHO COULD STILL UPSET? George Clooney

And so there are the men. Tomorrow, it's the women. I will not be covering the supporting categories as those are pretty much locks already. What do you think? Who do you think will win? And who do you think actually should win? Black Sheep wants to know what you think!
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Sunday, December 13, 2009

Black Sheep @ The Box Office: Disney's Magic Kiss


It's Disney's return to classical 2D animation and their first African-American princess ever. I have to say, after two weeks of stellar showings on just two screens, I was pretty much expecting THE PRINCESS THE FROG to blow up at the box office this weekend. A $25 million take isn't bad at all but it is nowhere near the numbers Disney commanded in the 90's. With the holidays just a couple of weeks away, it will certainly see a boost from kids out of school and families looking for something to do together but it will never reach Pixar size numbers. Maybe 2D really is dead.


Speaking of the almost dead, Clint Eastwood offers us his latest, INVICTUS, this weekend. Sorry, that was mean. I haven't slept. I don't know what I'm saying. Considering how old he is, he doesn't seem to be slowing down with INVICTUS being his fifth film in just four years. Interest was not great for this inspirational story, despite Morgan Freeman's win this week for Best Actor with the National Board of Review.


Just missing the Top 10 by one spot in a front-runner in the Best Picture race, UP IN THE AIR. The Jason Reitman picture added another 57 screens this weekend and saw its gross increase by over 107% for a total of $2.5 million. Further down the chart, the latest by Peter Jackson, THE LOVELY BONES nailed down a per screen average of nearly $39K on just three screens. This doesn't match the phenomenal starts of other platform releases this year but this doesn't mean that wider audiences won't show up when the film expands. And Tom Ford's debut, A SINGLE MAN (Black Sheep review to come this week), starring Colin Firth and Julianne Moore, pulled in a stylish average of $24K on nine screens. One more holdover worth mentioning, Pedro Almodovar's BROKEN EMBRACES continues to excel with a $19K per screen average after four weeks.


NEXT WEEK: After nearly a decade in the works, James Cameron's AVATAR (3300 screens) finally reveals itself to an anxious public. To counter program, Sony releases the Hugh Grant-Sarah Jessica Parker romantic comedy, DID YOU HEAR ABOUT THE MORGANS on 2700 screens. Past that, three more awards hopefuls, NINE, CRAZY HEART and THE YOUNG VICTORIA debut on a handful of screens each.

Source: BOX OFFICE MOJO
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