Showing posts with label Fall Movie Preview. Show all posts
Showing posts with label Fall Movie Preview. Show all posts

Saturday, August 27, 2011

Black Sheep presents The 2011 Fall Film Preview

This past weekend, I stepped out of the house in shorts and a T-shirt and immediately walked right back in, when I realized how cold it actually was outside. It felt different; it felt like fall. While some people hate the fall, I love it! It’s all sweaters and soup and a welcome farewell to the mind numbing fare of the summer movie season. And with those changing autumn leaves comes the long awaited return of the prestige picture.


Speaking of anticipation, fans of the family drama, YOU CAN COUNT ON ME, from writer/director, Kenneth Lonergan, will finally get to see his sophomore project, MARGARET this fall, some eight years after it was originally shot. Anna Paquin plays a 17-year-old girl (she was 21 at the time of filming) who witnesses an accident and begins believing she may have caused it somehow. She proceeds to slowly destroy everything in her life. In 2009, Fox Searchlight deemed the project, which also stars Matt Damon, unreleasable, but somehow, both parties have now found the path to understanding. A small mystery remains as to who had final cut.


What lies ahead isn’t entirely bleak though. Justin Timberlake continues his transition from pop star to leading man with the sci-fi thriller, IN TIME. Andrew Niccol, the writer of THE TRUMAN SHOW and the writer/director of GATTACA, returns with his first film since 2006. At this indeterminate time in our future, people are genetically designed to die at the age of 25. (I for one am glad to live in a world where I have so far had nine years past that.) People who reach this golden age are given one year to either find more time, be that legitimately or otherwise. Timberlake’s character comes into a century’s worth of time and not surprisingly, that makes him a guy a lot of people want to find. The wide-eyed Amanda Seyfried and Olivia Wilde are along for the trip.


The title, TINKER, TAILER, SOLDIER, SPY, rolls off the tongue with ease and might and, from the looks of the incredibly taut trailer, the film itself might unspool with a similar readiness. Tomas Alfredson, the Swedish director behind the 2008 international cult hit, LET THE RIGHT ONE IN, marks his first English-language film with an adaptation of the John Le Carre bestselling spy novel of the same name. Gary Oldman stars as George Smiley, a character who has not been tackled since the late Alec Guiness played him in 1982. Smiley must put his retirement plans on hold in order to ascertain the identity of a mole within the deep folds on the British intelligence agency, MI6. And when that mole just might be Tom Hardy or Colin Firth, in his first post-Oscar role, you know Oldman has his work cut out for him.


Come November, it’s time for some very important things to be done. It’s time to put on makeup; it’s time to light the lights. Yes folks, it’s time to get things started with the first Muppets movie in over 20 years. Entitled simply, THE MUPPETS, this caper finds Kermit et al. banding together to save their old theatre from being destroyed by a greedy oil tycoon type. They have enlisted the likes of Amy Adams and Jason Segel to get the job done and there are plenty more cameos crammed into this welcome return to the big screen, from Neil Patrick Harris to Mila Kunis to Zach Galifianakis. Segel offers his aid in more ways than one as well. He essentially spearheaded this entire Muppets renaissance, even going so far as to co-write the screenplay.


One could argue that December is not really the fall still but while looking ahead, I see nothing wrong with looking even a little further past that at the same time. While there are many December releases to get excited about, there is one above them all that I am most drawn to. I’ve never read the THE GIRL WITH THE DRAGON TATTOO but I have seen all three of the Swedish films that were adapted from the Steig Larsson series. Ordinarily, I am not a fan of foreign language films being redone in English for mass market appeal but those films are not usually directed by the man behind THE SOCIAL NETWORK, David Fincher. And from the looks of the trailers, it seems to me that Fincher isn’t the least bit concerned about mass appeal. Rather, he seems intent on keeping it dark and authentic. Just in time for the holidays, no less ...


There are oodles of other movies coming, 100+ between now and the close of the year. A great deal of them will be covered in my upcoming TIFF coverage but here is a rundown of the rest for you: Director Steven Soderbergh kills off several Oscar nominees in CONTAGION; one of the most loved animated films of all time, THE LION KING, returns to theatres for a limited 3D run; Taylor Lautner tries really hard to be a big boy in the thriller, ABDUCTION; Daniel Craig plays creepy house with now wife, Rachel Weisz, in Jim Sheridan's DREAM HOUSE; Anna Faris recycles old boyfriends in WHAT'S YOUR NUMBER?; Hugh Jackman takes on robot boxing in REAL STEAL; the world gets a FOOTLOOSE remake it never wanted; Johnny Depp goes back to the world of Hunter S. Thompson in THE RUM DIARY; Michelle Williams gets her Monroe on in MY WEEK WITH MARILYN; Harold & Kumar return for a third trip in A VERY HAROLD & KUMAR 3D CHRISTMAS; Clint Eastwood takes on Hoover in J. EDGAR, starring Leonardo DiCaprio and potential love interest, Armie Hammer; Martin Scorsese goes family and 3D with HUGO; oh, and I think there should be another TWILIGHT mess in there somewhere.


Stay tuned for Black Sheep's TIFF preview next weekend and the holiday movie preview will bow near the end of November. In the meantime, bon cinema!
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Saturday, September 4, 2010

Black Sheep presents Fall Foliage 2010


As I sit at my desk right now, I fear that a large branch from the tree outside my bedroom will suddenly fly in through the window and strike me, unexpectedly from behind, likely killing me instantly.  I'm not that paranoid, really.  It is just that windy out there. To be honest, I feel bad for the tree.  Swaying back and forth like that does not look fun to me.  Either way, I had to break out my sweaters today.

While it may not be the best day for a picnic, it is a very good day to take a look at what this autumn has in store for filmgoers hungry for, well, really any morsel of substance they can get their eyes on after the disastrous summer season we were all just made to suffer through.  Given that I will be seeing a ton of fall titles at the Toronto International Film Festival next week, I will focus this Fall Foliage film preview on titles that will not be screening at TIFF.  Trust me, Black Sheep will be so drenched in TIFF before you know it, so we have to spread the love while we still can.  Please, go on and grab you sweater and let's take a walk through the changing leaves ...

SEPTEMBER
The beef walks alone.
Originally due last spring, Oliver Stone's WALL STREET: MONEY NEVER SLEEPS now opens on September 24.  It's been 23 years since Michael Douglas won an Oscar for playing the human incarnation of greed, Gordon Gekko, and now he's back, out of jail in 2001 when the film picks up.  It's the new kid in the big city that is carrying this show though.  Shia LaBeouf will try to break away from his younger skewed audience and show more adult patrons that he can play with the big guys too.  Taking down Gordon Gekko should definitely convert a few non-believers.

Franco can pull off any look.
Academy Award winning documentary filmmakers, Rob Epstein and Jeffrey Freidman, try their hand at narrative film for the first time with this biopic of famous poet, Allen Ginsberg.  James Franco continues to prove his versatility by portraying the eccentric poet during the time of his obscenity trial for writing the poem the film is named for, HOWL.  I would see Franco in just about anything (or just about nothing, for that matter) and it will be great to see how Epstein and Freidman deal with fiction knowing how fantastic they deal with the truth.

Naive Nev.  You'll see.
Alright, I've actually already seen Sundance sensation, CATFISH, so I'm not so much looking forward to seeing it as I am looking forward to you all being able to see it.  My review will come post-TIFF but I will say this for now, if you chat online or have a Facebook page or have ever felt feelings for someone you never met while calling them "cutie" in text messages on your iPhone, see this movie.  I'm not trying to scare you but it just puts a lot into perspective.  It's like watching PARANORMAL ACTIVITY almost, except this time I was actually scared.

OCTOBER
This dude has way more friends than you and me combined.
Speaking of Facebook, do you know how that whole thing started?  No?  Well, you can now, thanks to Academy Award nominated director, David Fincher (THE CURIOUS CASE OF BENJAMIN BUTTON, FIGHT CLUB) as he takes on the birth of the online phenomenon in THE SOCIAL NETWORK.  I don't know if it's that intensely emotional rendition of Radiohead's "Creep" in the trailers (the band is called Scala, in case you were wondering) but I can't get enough of it.  Jesse Eisenberg and Justin Timberlake star in what could be a surprise Oscar contender.  I'll post my review on my wall when it's ready.

C'mon! How does it get any better than this?
I was not a big fan of Robert Schwentke's last film, THE TIME TRAVELER'S WIFE.  Come to think of it, I didn't really get into his previous film, FLIGHTPLAN, either.  Well, here's hoping the third time for me will be a charm.  RED rounds up a bunch of retired CIA agents who moonlight with the occasional kill contract on the side to keep things lively.  I guess their retirement savings were lost in the market crash.  Regardless, I'm thinking the cast - Bruce Willis, Helen Mirren and Morgan Freeman - will show the director how it's done.

I don't think she's allowed to smoke in there.
Noomi Rapace returns as the girl who continues to captivate American film going audiences and readers alike in the close to the Swedish trilogy, THE GIRL WHO KICKED THE HORNET'S NEST.  The films have not done nearly as well as the books but with everyone reading this last installment just this summer, interest could not be higher.  The aforementioned Fincher will be directing the American remakes but you do not want to miss the honesty and integrity of these gritty works first.  (Click for previous reviews of THE GIRL WITH THE DRAGON TATTOO and THE GIRL WHO PLAYED WITH FIRE.)

NOVEMBER
Gentlemen, please. Contain yourselves.
When I saw THE HANGOVER, I thought it had only two things going for it really.  I loved seeing Vegas in the harsh light of day - even the city itself looked hung over.  I also found that director, Todd Philips, had a really strong sense of where he was going at all times.  Aside from that, I wasn't anywhere near as impressed as most of the rest of the world and breakout star, Zack Galifianakis, annoyed me more than anything else.  Still, the trailer for Philips' follow-up, DUE DATE, looks promising.  I may forgive him and Galifianakis at the same time if they pull it off.  Fortunately, Robert Downey Jr. is on hand to make sure they get it right.

Looks more comfortable than the back of that car in "Brokeback Mountain".
LOVE AND OTHER DRUGS looks like a passable romance that could potentially surprise you with depth when you're not looking.  The likable quality of the stars alone though should make it an easy breeze to get through.  Jake Gyllenhaal plays a Viagra salesman, pushing it when it first took off in the market.  The drug is no substitute for the love he finds in Anne Hathaway though.  I know it sounds somewhat cheesy but this is a romance after all.  With Edward Zwick at the helm though, the man behind DEFIANCE and BLOOD DIAMOND, I'm sure it's not all going to be that simple.

Beautiful blunder?
It has not been a very good year for Christina Aguilera.  Her album, "Bionic", bombed.  Her entire summer concert tour had to be scrapped.  And now, the advance buzz on her feature film debut, BURLESQUE, is that is could be a full-on disaster.  This could've been her year but you know they say bad things come in three's.  It could go either way at this point is what I've been reading but I would have a lot more confidence in the director, Steven Antin, if his biggest production credit before this wasn't executive producing the Pussycat Dolls reality competition show.  Good luck, Xtina.  It sounds like you're going to need it.

There you have it - a handful of pictures Black Sheep Reviews will be covering in the months to come.  We will take one last look back at the summer of 2010 with the Summer Box Office Report in the next couple of days and then it's TIFF, TIFF, TIFF.  Don't miss it and thanks for reading.
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