Showing posts with label Man on Wire. Show all posts
Showing posts with label Man on Wire. Show all posts

Sunday, July 24, 2011

PROJECT NIM

Directed by James Marsh




Nim Chimpsky was born before I was and I can’t say I had ever really heard of this famous chimpanzee before PROJECT NIM, James Marsh’s follow up to his Oscar winning documentary, MAN ON WIRE. You only have to meet Nim once though to be completely taken in by his antics and thoroughly impressed by his abilities. Nim was born into a science experiment that would shape his entire life and before he died of a heart attack at 26 years old, he would be known to millions as the chimp who could talk to people.

Marsh has a wealth of archival footage at his disposal for PROJECT NIM and he makes great use of it, integrating passionate interviews and some respectfully recreated footage into the fold. As a result, Marsh is able to introduce his audience to Nim at as early a stage as two weeks old, when he was taken from his mother and placed into a family of nine. The hypothesis that Nim would either prove or disprove would frame the argument for nature vs. nurture. What if a chimpanzee was raised in a family as if one of their own? Would he adopt their practices and more importantly, would he learn to speak with them? Marsh then introduces us to the multitude of people who would play temporary caretaker to Nim over the years, from the mother who would first take him in and let him roam free on her hippy-esque commune, to the teachers who would never be the same for having spent time with him. Dedication to this animal is quite high considering how many times he has bitten these very same people.

For no other reason other than natural growth and progress, Nim eventually became too big and too potentially volatile to continue the experiment. Before it would end though, Nim would be able to use sign language to express dozens of words and, more importantly, it would appear that he would be able to string those words together to express actual thoughts. Nim’s transition to more traditional chimpanzee captivity environments would prove especially difficult. This is a chimp that has always been a part of the family and now he was living behind bars. It is a cruelty that would ordinarily seem socially acceptable if it weren’t for all that Nim had come to know in his life. He was always surrounded by love, which itself gave the chimp something of an ego, but now it was as though he was discarded by everyone he ever knew. And so animal cruelty would go from being seen as a purely physical act to emotionally damaging as well.

Marsh presents PROJECT NIM as succinctly as he can and allows his audience to gage what they consider to be cruel all on their own. His subject choices continue to show a fascination with the colorful and the eccentric and he proves with this project that he is a strong voice in today’s vast documentary landscape. By introducing us to Nim, he reminds us of the dangers of using animals for our own advancement, no matter how well intentioned we may be. Teaching Nim was the focus but it was actually Nim who would teach those he touched about themselves and their own baser instincts they may not have been aware of. And now, thanks to Marsh, many more will be able to learn these same lessons.

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Friday, January 15, 2010

Remembering the year 2008

MAN ON WIRE
Directed by James Marsh


2008 was the year I started being published as a film critic. I suppose one could argue that I was published prior to this as I was self-published right here on Black Sheep but there is something about being published in print that validated my journey as a developing film critic. My destiny was unfolding before my eyes. Not everyone believes in destiny but those who do probably see how the seemingly disconnected pieces of their lives come together to bring them to the exact moment where they stand. Perhaps their destiny is a job; perhaps it is love. Whatever it is, it is pretty safe to say that there aren’t too many people out there that believe that their destiny is to walk a tight rope between New York City’s infamous World Trade Center towers. It was one man’s destiny though, one that was filled in 1974 and one that is magnificently chronicled in James Marsh’s Academy Award winning documentary, MAN ON WIRE.


Your first instinct might be to assume that the man who pulled off this incredible feat must be completely insane. After seeing MAN ON WIRE, you might not think any differently of Philippe Petit. By cutting together rare archival footage of Petit and his gang preparing for the big event with still photographs, news footage and modern interviews with all of Petit’s cohorts, Marsh is able to paint a picture of how Petit got from point A to point B, or from the North Tower to the South Tower, if you will. The incredible, almost cosmic, momentum pushing Petit forward though comes directly from Petit’s mouth. The man is ridiculously animated and alive, not surprisingly. I might be too if I walked a wire 1350 feet off the ground. He never answers that inevitable question as to why he did what he did (which also included wire-walking across the steeples of the Notre Dame Basilica in Paris and the two north pylons of the Sydney Harbour Bridge in Australia) but simply asserts that he was meant to. When you see him on the rope, you know he is right.


As it is described a number of times in the film, to watch Petit walk across the wires is like a little bit of magic in an otherwise dull day. As these activities all took place over thirty years ago, there isn’t a vast collection of footage to pull from to recreate them. Reenactments are not exactly new to documentaries but the style with which Marsh attributes them here is certainly not something I’m accustomed to. Sumptuous black and white footage of what certainly could not have been captured as it happened is not only strikingly gorgeous but also fully engaging. Paul McGill plays Petit as a young man and, alongside a cast of 1970’s French artist/anarchist types, he helps to set the heist tone for the film that Marsh uses as a framework to heighten the suspense. History affirms that they are able to pull off their caper but placing us in the middle of the action helps us to feel like even we can have dreams as impossible as this one.


At no point in time in MAN ON WIRE is there any mention or image of the towers coming down. Instead, Marsh treats us to archival footage of their construction. Yes, their construction in the context of this particular story is to show them as mere devices in Petit’s personal journey but there is something exalting in watching these great structures coming into their own when most only have the image of their destruction in their minds to remember them. Marsh himself has asserted that he hoped his film would give the viewers a new image to remember the towers by – one of artistry and magic as Petit walked back and forth between them eight times in the middle of the air on what was otherwise an ordinary day.



BLACK SHEEP'S 2008 TOP 10
(in alphabetical order ... click any title for full review)

THE DARK KNIGHT, Christopher Nolan (Director)
THE DUCHESS, Saul Dibb
ENTRE LES MURS (THE CLASS), Laurent Cantet
MAN ON WIRE, James Marsh
MILK, Gus Van Sant
RACHEL GETTING MARRIED, Jonathan Demme
REVOLUTIONARY ROAD, Sam Mendes
THE VISITOR, Tom McCarthy
WALL-E, Andrew Stanton
THE WRESTLER, Darren Aronofsky
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