Black Sheep's Blu-Tuesday

We're going to try something new this week.  As I cannot always find figures on last week's sales on time to post this column, I will also begin each week with the most exciting Blu-Ray release announcements from the last week.  I assume you don't check these sorts of things every day like I do so I figure summing it up once weekly will work for you.  The title that gets all my attention this week is the Oscar-nominated, A PROPHET.  I caught this one just before the telecast, where it lost to the inferior THE SECRET IN THEIR EYES, and I was floored.  It will be released on August 3.  Kristen Stewart and Dakota Fanning are more likely to find a larger audience with the home release of THE RUNAWAYS, July 20.  And looking even further ahead for all you collectors out there, the original 1933 version of KING KONG will make its way to Blu-Ray on September 28.

As for this week's releases ...

ALICE IN WONDERLAND

The first time I saw Tim Burton's wildly successful version of ALICE IN WONDERLAND, my ex had told me that morning that he was already seeing someone else just a short while after we split.  Needless to say, I did not have an easy time focusing on the explosion of matted colour on the screen.  The second time I saw it was the following weekend and, not to be outdone, I was on a date of my own.  I was able to see the film a lot clearer but I can't say I enjoyed it anymore the second time around.  Burton's vivid imagination is something of a cliche now that it is just being used by Hollywood to put a supposedly fresh spin on classic tales.  That hardly matters though when ALICE IN WONDERLAND is the biggest film of Burton's career and only the sixth film in history to cross $1 billion in international ticket sales.

LIFE

Unfortunately, I was stuck in traffic somewhere on the 401 yesterday when the good people at Warner Bros. tried to deliver this brand new BBC Earth series, LIFE.  Subsequently, I have not yet had the chance to watch any of it but I do know what I'm doing as soon as I post this.  The people who brought you the breathtaking series, "Planet Earth", are doing it again, but this time, they're going to focus more on the inhabitants of the planet instead of the planet itself.  The original series was narrated by Richard Attenborough, just like "Planet Earth", but most North American retailers will be carrying the version that played on the Discovery Chanel, narrated by Oprah Winfrey.  I'm somewhat skeptical of this but also certain that whatever imagery will be on my screen will quickly allow me to drown out any voice around.

THE WOLFMAN

I can't say I remember disliking this film as much as most of my colleagues did when the film played in theatres.  I gave the film two stars and a lot of people said I was still being pretty generous.  The truth of it is, THE WOLFMAN has very little to sink your ravenous, razor-sharp teeth into.  It is all show with very little substance and honestly, the show is only passable really.  You spend most of the movie in the dark, literally as the action has to take place at night for the most part, as to why you're even there to begin with.  This is because Joe Johnston infuses the classic horror tale with modern ideas like daddy issues and girl trouble and does a bad job selling that too.  Even more mind boggling is how such a great cast got roped into this mess.  The wolf himself, Benicio del Toro, even served as a producer on this.  I don't get it.

ALSO AVAILABLE ON BLU-RAY:

Tom Cruise teams up with Steven Spielberg for the surprisingly enjoyable and suspenseful, WAR OF THE WORLDS.  Will Smith and Martin Lawrence do wonders for their careers with BAD BOYS.  And a bunch of Clint Eastwood classics, from SPACE COWBOYS to THE ROOKIE with Charlie Sheen, make their way to Blu-Ray, either individually or as part of the new CLINT EASTWOOD COLLECTION.  And yes, I was being sarcastic when I said, "classics".

Source: Blu-ray.com

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Black Sheep @ The Box Office

I met a guy last week who was really keen on seeing HOW TO TRAIN YOUR DRAGON.  No, it was not the 3D element that was calling to him, as it did to millions of people this weekend.  No, he just really digs dragons.  With the positive reviews, both from critics and audiences alike for this Dreamworks animation, I'm pretty sure he won't be the only one digging on dragons for very long.

Between HOW TO TRAIN YOUR DRAGON and ALICE IN WONDERLAND following in second place, 3D pictures continue to command the dollar of the movie going audience.  There isn't enough room for three 3D titles in the Top 10 this weekend though.  The biggest box office success of all time, AVATAR, exits the Top 10 for the first time in its 15 weeks of release.  Its disappearance from the public consciousness will only be temporary though as the film will be made available to purchase within the next month.

As HOW TO TRAIN YOUR DRAGON basks in the warm, soothing bubbles of its own great success - one of the Top 10 March debuts in history - HOT TUB TIME MACHINE had to wait in line to get in.  The buzz for this time travel comedy has been boiling over -  I promise, I'll stop - in recent weeks and most were expecting a surprisingly large gross this weekend .. which wouldn't really make it a surprise, mind you.  The insider buzz didn't spread though and this Steve Pink film had to settle for third place.

A few Top 10 titles managed solid holds this week, suggesting repeat business and good word of mouth later in the run.  I tried to warn you guys but yet THE BOUNTY HUNTER managed a reasonable drop of only 40% this weekend.  If you missed it last weekend, you really should have just let it go.  I want to see a much steeper decline next week, alright?  Meanwhile, SHUTTER ISLAND and SHE'S OUT OF MY LEAGUE managed even better declines of less than 40%.

Below the Top 10, Noah Baumbach's GREENBERG, starring Ben Stiller, added 178 screens for a grand total of 181, and saw an increase of nearly 800%.  It pulled in a solid average of just under $6K and has made $1.2 million in two limited weeks.  On less screens, it managed to pull in more than Canadian filmmaker, Atom Egoyan's latest thriller, CHLOE.  The Toronto-based love triangle debuted in 13th place this week, with a total of just over $1 million on 350 screens.  Some of that money is mine as I saw the film on Friday.  The Black Sheep review is coming in the next week.

NEXT WEEK: Next Saturday is my birthday.  Every year on my birthday weekend, there is nothing but garbage released in theatres .. or at least what I presume to be garbage or movies that completely disinterest me.  This year is no different whatsoever.  On Wednesday, hoping to score some early Easter money, the Miley Cyrus movie, THE LAST SONG, opens on 2500 screens.  The Tyler Perry sequel, WHY DID I GET MARRIED TOO? opens on 2000 screens on Friday.  There are a few indie sprinklings here and there but the big guy in town with be CLASH OF THE TITANS, roaring on to 3600 screens, with a bunch of them being 3D.  Of those three, which do you think I have no interest in and which do you think I think look like garbage?  Happy birthday to me, indeed.

SOURCE: BOX OFFICE MOJO

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Black Sheep @ The Box Office

ALICE IN WONDERLAND continues to dominate the spring box office but the spring box office bestows it's riches upon a number of other films regardless. Tim Burton's biggest career hit dropped off a respectable 45% in its third week and continues to rule internationally as well, with a grand global total of $565 million so far.


The runner-up spot was fought for all weekend. The Jennifer Aniston-Gerard Butler dud, THE BOUNTY HUNTER, opened second behind ALICE IN WONDERLAND on Friday but the family crowd push throughout the weekend helped DIARY OF A WIMPY KID overtake the supposed romantic comedy for a number two finish. Final results may vary when the final numbers come in on Monday but my money is still on the kid flick.


Past that, there was very little love for the REPO MEN remake, starring Forest Whittaker and Jude Law. Buzzed about Sundance Joan Jett biopic, THE RUNAWAYS, starring Kristen Stewart and Dakota Fanning pulled in a disappointing $3300 per screen average on 244 screens. Roman Polanski's latest, GHOST WRITER, expanded as successfully as possible considering its rough start with a 71% increase after adding 595 screens. The film's total gross now stands at just under $7 million with a reported budget of $45 million. Providing hope though, art house success Noah Baumbach's latest, GREENBERG, pulling in over $120K, on just three screens, with an average of $40K. The Black Sheep review will be coming later this week.

NEXT WEEK: The much-hyped, HOT TUB TIME MACHINE, will be cracking it up on 2750 screens. 3D animated offering, HOW TO TRAIN YOUR DRAGON, will be exploding out of 3000 screens. And Atom Egoyan's latest, CHLOE, hits the limited scene.

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Black Sheep @ The Box Office

And Black Sheep returns to the box office after a long and arduous awards season. Arduous might be a bit of a stretch but I'm in a bit of a dramatic mood today so just roll with it. It would have been great to come back last weekend to celebrate the phenomenal success of ALICE IN WONDERLAND but there were those pesky Oscars last weekend. Instead, we're here to see the Tim Burton film cross the $200 million mark in only its second weekend. In fact, at ten days to cross, it is the 11th fastest film in history to accomplish the feat, just a few million shy of AVATAR's same pace. I'm not suggesting that we should expect AVATAR size business here but it's only about $40 million shy of surpassing BATMAN as Burton's most successful film.


Four other films debuted in the Top 10 this weekend but none made any sort of significant dent. Leading the charge was the Paul Greengrass / Matt Damon pairing, GREEN ZONE. Pulling in an average of less than $5K per screen means it will be a big stretch for this one to make back any of its reported $100 million budget. Stealing third place from Robert Pattinson is Canadian boy, Jay Baruchel's headlining act, SHE'S OUT OF MY LEAGUE. The lighter fare brought in a light gross but one that improved over teen romance, REMEMBER ME as the weekend went on. Subsequently, the Pattinson vehicle had to settle for fourth, proving lack of interest in the star past his turn in the "Twilight" movies. Opening in sixth place was the Fox Searchlight title, OUR FAMILY WEDDING. Essentially, with ALICE IN WONDERLAND monopolizing the global business these past two weekends, little interest is being generated for anything else.


Speaking of little interest, although the Oscar telecast last Sunday was the highest rated since 2005, most of the films that took home awards were no longer playing in theatres. Best Picture winner, THE HURT LOCKER, was rereleased in 75 new theatres and took in about $825K, allowing the film to actually make back its reported budget. DVD/BD sales saw great increases but this is the lowest grossing Best Picture winner in Oscar history and that is not about to change. Meanwhile, if it had won, AVATAR would have been the highest grossing Best Picture winner and it suffered another scant 18% decline this week. CRAZY HEART, starring Best Actor winner, Jeff Bridges, slipped just 6% and THE BLIND SIDE, starring Best Actress winner, Sandra Bullock, saw a bum of 24% seventeen weeks into its run for a grand total of $252 million.

NEXT WEEK: Big week people ... THE BOUNTY HUNTER, starring Jennifer Aniston and Gerard Butler, hits 3000 screens. On 3100 screens, family hopeful, DIARY OF A WIMPY KID opens. Jude Law and Forest Whitaker are REPO MEN on 2400 screens. Sundance film, THE RUNAWAYS, with Kristen Stewart as Joan Jett hits 225 screens. And the latest film by one of my favorite directors, Noah Baumbach, GREENBERG, starts its limited run on 3 screens.

SOURCE: BOX OFFICE MOJO

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