Showing posts with label Gerard Butler. Show all posts
Showing posts with label Gerard Butler. Show all posts

Sunday, January 15, 2012

Black Sheep interviews Ralph Fiennes



GENERAL FIENNES
An interview with CORIOLANUS director and star, Ralph Fiennes

Ralph Fiennes is known for playing intimidating, imposing characters, be that in his breakout film, SCHINDLER'S LIST (1993), his Oscar-nominated turn in the epic THE ENGLISH PATIENT (1996) or his recurring role in the HARRY POTTER series, as the Dark Lord himself, Harry’s archnemesis, Voldemort. Like so many great actors before him, Fiennes has finally decided to step behind the camera with his directorial debut, CORIOLANUS. Keeping the experience true to intense form, Fiennes also stars.

“There were times when I came near to it, never totally though,” Fiennes confides when pressed if he ever regretted his decision to direct and star in this career benchmark, when we meet at the Toronto International Film Festival press stop. “Obviously I knew it would be hard and I tried to be as prepared as I could. It was a bit schizophrenic still.”

Based on one of William Shakespeare’s lesser known tragedies, and set in modern day Rome, CORIOLANUS finds Fiennes’ hero briskly built up and violently torn down by a near mad society, desperate for change and better living. “I love it dramatically because I think audiences are challenged as to where to put their allegiance,” says Fiennes of his attraction to the text. “They can start off resisting Coriolanus, then finding a way to admire him despite their thoughts about his views.”

Directing co-star, Gerard Butler
Having played the part over ten years ago, Fiennes knew even then that he wanted to keep the Shakespearean text intact for the present day setting. “I think it’s a potent mix when you put Shakespeare in modern dress,” Fiennes explains of his approach. “The trick is the language, you have to strip it of all theatricality and yet not deny its power.”

On screen with co-star, Jessica Chastain
Considering how stately he is on screen, Fiennes is considerably relaxed and humble in person. He is also quick to point out the important lessons he has taken away from the demanding CORIOLANUS. The first is that he wants to do it again. (He is already in pre-production on an Abi Morgan penned script called THE INVISIBLE WOMAN.) The second is that this time, maybe he’ll just sit back and watch from the director’s chair.

“You don’t want to be thinking about how you’re looking when you’re acting; you want to be just in it, reacting to the other person, but as a director, I have to try to detach.”
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Thursday, March 18, 2010

THE BOUNTY HUNTER

Written by Sarah Thorp
Directed by Andy Tennant
Starring Jennifer Aniston, Gerard Butler and Christine Baranski


Jennifer Aniston is looking a little tired these days. Fortunately for her though, the attempted humour in her latest starring vehicle, THE BOUNTY HUNTER, is infinitely more unoriginal than she is, so you don’t necessarily notice her worry lines so much.


I don’t really blame her for worrying though. There is no way she could have been making this movie and thinking it was actually going to turn out well. I’m sure it sounded great when somebody pitched it to her. It’s Aniston and romantic comedy hunk, Gerard Butler, playing exes on the run. He, being the aforementioned bounty hunter, is giddily tracking down his ex because she skipped her court appearance for a traffic accident involving a police officer. Before they know it, they’re mixed up in a major undercover police operation that could get them killed. And, now this is the clincher, while they’re stuck together in this crazy impossible scenario, this old flame of theirs has the chance to be reignited again. Clearly, with all this deliberate and obvious set up, hijinks should ensue. Instead, scene after repetitive scene followed with not a trace of laughter to be had.


In order to catch a criminal, an effort must be made. In order to entertain people at a movie, an equal effort must be made. Between Butler barely trying to mask his accent and director, Andy Tennant, barely focusing on anything other than Aniston’s back side, it seems pretty fair to say that the only real effort being made in this film is Aniston running around in ridiculously high heels all the time. I’m sure if she was wearing more sensible footwear, she would have ran right off the set.

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