ONE DAY

Written by David Nicholls

Directed by Lone Scherfig

Starring Anne Hathaway, Jim Sturgess and Patricia Clarkson

Emma: I thought I'd make a difference but no one knows I'm here

Some connections are instantaneous while others can take years to come together. When it comes to love, there is no simple formula. When it comes to director, Lone Scherfig’s ONE DAY though, it’s all about formula and fortunately, it is mostly a winning one. Scherfig follows up the brilliantly understated, AN EDUCATION, with an adaptation of David Nicholls’ best-seller of the same name, which checks in with Emma and Dexter (Anne Hathaway and Jim Sturgess) on the 15th of July every year for twenty years. Neither love nor life come easily to this pair and watching them grow in glimpses over the years reminds us how quickly everything can slip away if we aren’t careful. Scherfig’s gentle hand allows this high concept picture to transcend gimmick, and Hathaway’s shoddy British accent, to reveal genuine emotion and inspire some pretty real sentiment as well.

By dropping in on this couple but one day a year, Scherfig could have had something terribly predictable and monotonous on her hands. Fortunately though, the much loved novel’s author is also behind the screenplay. As a result, Scherfig has the right material in front of her to balance the mundane and the monumental that is inherent in this premise. Some days go by without anything really happening at all but that’s life. There are some days even when Emma and Dexter don’t even spend July 15th together, as their lives have taken them on very different paths. The very first 15th of July we spend with them is the night of their college graduation. They barely know each other and end up in bed together but nothing happens other than of course the beginning of something beautiful. As the years go by, they each go up and down in mood and success at different times from each other, and both Hathaway and Sturgess are given the chance to grow in front of us. These young talents take on the challenge of spanning two decades and each matures as an actor in the process. By the time the end of the second decade approaches, their understanding of themselves and each other is both impressive and admirable.

The title, ONE DAY, alludes to the structure of the plot but thanks to the yearning for closeness and longing for happiness that Scherfig weaves into this picture, it touches on something far more insightful as well. As each day and each year passes without settling or success, Emma and Dexter strive toward that time in their lives when they will feel complete, whole. They work toward that one day when everything will inevitably fall into place. And while that day may not exist for all or at all, for that matter, ONE DAY will have you believing that it is still coming.

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AN EDUCATION

Written by Nick Hornby
Directed by Lone Scherfig
Starring Carey Mulligan, Peter Sarsgaard, Alfred Molina and Emma Thompson


Jenny: All that poetry and all those songs for something that doesn’t last long at all.

For a young lady in the 1960’s, options were slim. Girls went to school to learn about Latin and literature but also, and perhaps more importantly, to learn about posture and poise. Educated or not, a lady must be proper first and foremost and able to provide for her man as he sees fit. And if one of these fine girls also happened to show academic promise, then she could push herself as hard as possible to go on to higher learning. Unfortunately, all that would be waiting for her on the other side would be marriage or maybe a teaching job. There is really nothing wrong with either of those options but it does seem an awful lot of work to get there and one wonders why go through all the trouble. The understated beauty of Lone Scherfig’s AN EDUCATION is how it allows for life to do what it will regardless of chosen paths, schooling its characters and subsequently enlightening its audience.


Jenny (Carey Mulligan) is but 16. She is the only girl in her classes who seems to get anything at all and it isn’t long before she starts to see through it all. One day, while she waits for a ride in the rain, a strange yet handsome man of nearly twice her age (Peter Sarsgaard) pulls up alongside her to offer her a lift. He is witty and charming and their chemistry is almost instantly perfect. When she accepts his offer, she essentially goes against the number one rule enforced by all parents – never get in a strange man’s car. Naturally, it feels terribly wrong. Given his age, what could he possibly want from this girl? Still, he is dapper and has a wonderful way about himself. Mulligan is boisterous and beautiful in this breakout performance, one that will certainly get her some well deserved notice. And of course, Sarsgaard is easily likable as her suitor, David. Together, they just click and before long, the initial hesitation is set aside so that their love can be given a shot.


Natural reticence is part of what makes AN EDUCATION such an engaging experience. Jenny is precious. She has great potential and parents (Alfred Molina and Cara Seymour) that, while strict, clearly hold her in the highest regard. And yet still, these educated people allow David to breeze into their home with his dashing good looks and pockets full of money and make them completely ignore his age and his intentions for their daughter. Her father will not allow her to enjoy anything on her own that doesn’t directly enhance her scholastic education but when a handsome man comes knocking, it would seem that marrying his daughter off, especially to someone so well to do, is a lot more affordable than sending her to Oxford. At the same time, Jenny is completely taken with the life of fancy that David offers and begins to see how being taken care of can be a lot easier than taking care of yourself.


Nick Hornby’s elegant screenplay poses a very familiar dilemma to the audience. What is more valuable – a formal and well rounded education in a class room or the kind of learning that only comes when experiencing life outside of the classroom? What makes this simple question so complex in AN EDUCATION is that it constantly forces you to reevaluate where you stand on the subject, subsequently reminding you that nothing is as simple as you think when love is involved. I learned a thing or two myself while I sat back and absorbed this masterful picture. The main lesson? AN EDUCATION, both the film and the arduous right of passage, are both well worth the time.

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