50/50

Written by Will Reiser

Directed by Jonathan Levine

Starring Joseph Gordon-Levitt, Seth Rogen, Anna Kendrick, 

Bryce Dallas Howard and Anjelica Huston

Adam: I can’t remember being so calm in a long time.

Katie: Would you describe it as numbness?

Adam: No, I would describe it as fine.

Up and coming director, Jonathan Levine’s latest film, 50/50, is being billed as a cancer comedy, only I cried about five times so I’m not sure the descriptor really fits. 50/50 is writer, Will Reiser’s first hand account of what it was like to get cancer in his 20’s. Clearly, as he is still here to tell the tale, he lives through the ordeal, but knowing this does not take away from the personal journey he shares with us. And fortunately for all involved, that journey is being taken on screen by the always impressive, Joseph Gordon-Levitt, who easily makes 50/50 a sure bet.

Gordon-Levitt plays Adam, whom we first meet jogging down the streets of Seattle at dawn. Instantly, while we watch him wait at a red light to cross an intersection despite any trace of traffic approaching, we know that Adam is cautious and self-aware. Even when he is told that he has cancer, he protests on the basis that he doesn’t smoke or drink and that he recycles. Adam follows the rules and yet is being inexplicably punished. Adam is not particularly original, as far as characters go, but his emotional path leaves the character so exposed and vulnerable that we are deeply endeared to him. Commendably, Reiser does not make us pity him but instead it feels like a rare and  honest account of his experience. For Gordon-Levitt to be able to open himself up to this kind of candidness only further proves that he is one of the most relatable young actors working today.

I felt I could know Adam, that he could be one of my friends. That one of my friends could go through this is foreign to me and fortunately, not something I’ve ever had to go through. As much as 50/50 is about Adam’s plight, the other half of it is about how the people around him learn to support him. From his best friend (Seth Rogen, playing a role based on himself, as he is also Reiser’s best friend in real life) to his mother (Anjelica Huston, making the most of her little screen time) to love interests both potential (Anna Kendrick) and exiting (Bryce Dallas Howard), everyone in his life stumbles through supporting him as if they were blindly walking into walls. Everyone is trying though, reminding us just how important intention really is, and 50/50 surely has the best of them.

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TIFF Review: 50/50

Written by Will Reiser

Directed by Jonathan Levine

Starring Joseph Gordon-Levitt, Seth Rogen, Anna Kendrick, 

Bryce Dallas Howard and Anjelica Huston

Adam: I can’t remember being so calm in a long time.

Katie: Would you describe it as numbness?

Adam: No, I would describe it as fine.

Up and coming director, Jonathan Levine’s latest film, 50/50, is being billed as a cancer comedy, only I cried about five times so I’m not sure the descriptor really fits. 50/50 is writer, Will Reiser’s first hand account of what it was like to get cancer in his 20’s. Clearly, as he is still here to tell the tale, he lives through the ordeal, but knowing this does not take away from the personal journey he shares with us. And fortunately for all involved, that journey is being taken on screen by the always impressive, Joseph Gordon-Levitt, who easily makes 50/50 a sure bet.

Gordon-Levitt plays Adam, whom we first meet jogging down the streets of Seattle at dawn. Instantly, while we watch him wait at a red light to cross an intersection despite any trace of traffic approaching, we know that Adam is cautious and self-aware. Even when he is told that he has cancer, he protests on the basis that he doesn’t smoke or drink and that he recycles. Adam follows the rules and yet is being inexplicably punished. Adam is not particularly original, as far as characters go, but his emotional path leaves the character so exposed and vulnerable that we are deeply endeared to him. Commendably, Reiser does not make us pity him but instead it feels like a rare and  honest account of his experience. For Gordon-Levitt to be able to open himself up to this kind of candidness only further proves that he is one of the most relatable young actors working today.

I felt I could know Adam, that he could be one of my friends. That one of my friends could go through this is foreign to me and fortunately, not something I’ve ever had to go through. As much as 50/50 is about Adam’s plight, the other half of it is about how the people around him learn to support him. From his best friend (Seth Rogen, playing a role based on himself, as he is also Reiser’s best friend in real life) to his mother (Anjelica Huston, making the most of her little screen time) to love interests both potential (Anna Kendrick) and exiting (Bryce Dallas Howard), everyone in his life stumbles through supporting him as if they were blindly walking into walls. Everyone is trying though, reminding us just how important intention really is, and 50/50 surely has the best of them.

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INCEPTION

Written and Directed by Christopher Nolan

Starring Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page, Marion Cotillard and Michael Caine

Eames: If we’re going to perform inception, then we’re going to need imagination.

I knew there was a good reason I fought so hard every night to hold on to my conscious mind and not let my unconscious mind take over.  I’ve got to make sure no pesky extractors get in there to steal my highly sought after secret thoughts.  More importantly, I’ve got to make sure that nobody gets in there and plants an idea that I would go on to believe is entirely my own upon waking up.  This latter assault is called INCEPTION and the extremely dangerous process involved in making it happen is the premise for Christopher Nolan’s film of the same name.  Nolan’s skill as a director gives him the tools to delve deep into the viewer’s mind but after waking up from the dreamlike state INCEPTION creates so delicately, it doesn’t feel like he left anything in there to hold on to.

In order for Nolan to sell INCEPTION, he has a lot of ideas to implant in the audience from the very beginning.  Leonardo Dicaprio and Joseph Gordon-Levitt play professional dreamers, men who, when connected to a fancy box that puts you right to sleep at the push of a button (where can I get this box?!), enter other people’s subconscious minds.  It’s way more complicated than that and INCEPTION does its best to ensure the audience understands its complex ideas.  To begin with, Nolan starts the action with Dicaprio and Gordon-Levitt in the middle of a mission.  This way we get to see first hand what their alternate reality is and it conveniently allows for explanation between characters indirectly aimed to help the audience situate itself.  Comparisons to THE MATRIX are not shocking to me.  Like that film, INCEPTION is a visual marvel that requires a lot of contextualization to get lost in.  And again, like that film, explanatory scenes that stop the action cold are necessary to keep everyone following.  THE MATRIX does one thing differently though – it makes it all about us at the same time so once we do get lost, we have just as much to lose.

Once everyone is on the same page, which takes almost half the film to accomplish, the real mission begins.  Inception, the concept of that is, is thought to be purely theoretical but Dicaprio is determined to make it a reality.  Dicaprio’s team, also including Ellen Page, Ken Wantanabe and the deliciously smarmy Tom Hardy, has been contracted to go deep into the mind of Robert Fischer Jr. (Cillian Murphy), the heir to an internationally successful corporation.  Once they get deep enough, they must implant an idea that will trigger Fischer to want to dissolve the company when he wakes up.  As the leader of the team, and the dreamer who has been doing this the longest, Dicaprio’s personal issues, primarily the ones involving his secretive past with his wife, Mal (Marion Cotillard), keep creeping into the collectively shared dreams.  Here, dreams and memories get easily confused and threaten to bring everything toppling down.  The corporate espionage angle though keeps the audience at a safe distance when we should all be able to draw upon the shared experience of getting lost in dreams.

Visually, there is no question that INCEPTION will have you dreaming of the fantastical sets and effects long after you’ve seen it.  As Nolan takes us deeper into dreams within dreams, he has total control over all the layers he has designed so deliberately one on top of the other.  He wows us with everything going on around us and grips us by making the success of the mission dependent upon a multitude of factors that must align perfectly within a very small window of time.  Considering how much work is involved in getting this deep and keeping all these layers balanced though, it seems odd that Nolan doesn’t appear to have any grander a purpose to achieving this feat other than proving he could.  In order for inception to work, to ensure the idea really sticks, the subject has to believe that the idea came from himself, like true inspiration.  Nolan burrows into the extreme depths of his subjects but leaves little to nothing insightful behind in the viewer to inspire us when we all wake up.

It's still a good time, mind you ...

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DVD Review: UNCERTAINTY

Written and Directed by Scott McGehee and David Siegel

Starring Joseph Gordon-Levitt and Lynn Collins

E1 Entertainment

The inability to make up one's mind about something can be infuriating.  When the choice at hand is one that will certainly alter the course of your life, that frustration can almost be debilitating.  Life will randomly throw explosives at you and there is no way for you to know where everything will land once you set those bombs off.  You do know that if you do nothing about them though, they will still go off.  If only we could split our lives into two separate entities, just for a day.  Then, maybe we could see that all roads lead us somewhere and that even though this somewhere is not where we thought we would end up, it isn't necessarily a bad place to be.  Unfortunately, life doesn't work that way but that doesn't stop writer/directors, Scott McGehee and David Siegel from exploring just that in their latest collaboration, UNCERTAINTY.

Joseph Gordon-Levitt (500 DAYS OF SUMMER) and Lynn Collins (X-MEN ORIGINS: WOLVERINE) star as Bobby and Kate, a couple with choices to make about their future.  Their journey begins on the Brooklyn Bridge and for the first five minutes, it would appear as though we are just as doomed as they are.  To set up their highly conceptual plot, McGehee and Siegel have the lovers speaking symbolism instead of words.  It is as painful coming out of their mouths as it is going into our ears.  Essentially, they are debating whether or not they can really do what they've been thinking about doing without actually saying what that is.  The choice is to go for it and suddenly they each sprint in opposite directions and meet up with alternate reality versions of each other on the other side.  Let the abstraction begin!

While following the initial split is jarring, the split lives themselves are actually quite engaging.  Gordon-Levitt and Collins work well together and the timely manner in which their secrets and troubles are revealed to us is properly paced, allowing us to be with them in their confusion.  Consequently, it is easy to sympathize and hope for their future.  It is also easy to get lost in the colorful and carefully shot New York City backdrop.  It all culminates back on the bridge though and sinks back into awkwardness but everything in between makes for a stimulating time, both visually and mentally.

I'm not quite certain about UNCERTAINTY, but I do know that it distracted me from my own explosions for a couple of hours.  I'm not sure if any questions were really answered or if resolution is even the point though.  And so in saying good night to Bobby and Kate, I go back to my own confusion.

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